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Allan Forsyth

Allan Forsyth - Stylish and utterly contemporary, Allan Forsyth's art is a poignant incorporation of technological media and conceptual design. Forsyth's unusual and dramatic artworks marry nature and modernism, with abstract and analog patterns or sleek images of light and colour, inspired by natural phenomena, emotions, or intangible ideas. In other works, his images are entirely representational, portraying elements of nature in an intimate and strikingly dramatic photographic style- richly detailed flower blossoms in lush natural hues glowing against a deep, black background.
Forsyth creates his works from photographs, enhancing them digitally and then printing and bonding them onto a variety of materials. He has experimented with various photographic techniques and laboratory technology throughout his career, working in both the photographic and architectural industries.
Awards:
2008 Winner of Best Landscape for Brooklyn at RWA Bristol, Winner 2004 ICON Art & Design Award.
Collections:
Kelly Hoppen Interiors, Intercontinental Park Lane, Marriott Lingfield Park, Marathon Asset Management Ltd, Hammerson Plc, Maze Restaurant, Grosvenor House Hotel, Egon Zehnder International, Zurich Global, Barclays Capital, Barclays Bank, Barclays Wealth, SG Hambros Banks, Williams De Broe, Cardiff Pinnacle; Legal and General, West Properties; Investec Switzerland and HBOS.
Jean-Francois Rauzier

In association with Waterhouse & Dodd
Christine Simpson

Christine is a practicing Artist, Lecturer in Photography and Curator exhibiting work in Ireland, the UK, Spain and America. In 2010 her photographic composite “Looking for Eden” was awarded a gold medal by Graphis, New York.
“My work is part of an ongoing exploration of unresolved environmental concerns of the 21st century. The work is located in the Irish landscape providing a rich, unkempt and decaying background that forms a backdrop for visual expressions of global imbalance, environmental destruction, the cyclical nature of existence and our deep connection to the planet and its guiding forces.”
The images explore, technically the photographic potential of creating surreal melded images from several different shots (sometimes as many as 30 photographs) onto one seamlessly constructed print.”
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