Public Art Galleries and Museums in London - What's on:
The Royal Academy of Arts - Piccadilly, London
Opening times: 10am-6pm Saturday-Thursday and 10am-10pm Friday
Degas and the Ballet: Picturing Movement
Until 11 December 2011
In the Main Galleries
This landmark exhibition focuses on Edgar Degas’s preoccupation with movement as an artist of the dance. Degas and the Ballet: Picturing Movement traces the development of the artist's ballet imagery throughout his career, from the documentary mode of the early 1870s to the sensuous expressiveness of his final years. The exhibition is the first to present Degas’s progressive engagement with the figure in movement in the context of parallel advances in photography and early film; indeed, the artist was keenly aware of these technological developments and often directly involved with them.
Driven to Draw: Twentieth-century Drawings and Sketchbooks from the Royal Academy’s Collection
Until 12 February 2012
In the Tennant Gallery
Opening times - Tuesday – Sunday, 10am – 6pm
Closed Mondays
Drawing is almost as natural a human activity as breathing the air around us. However, only in the twentieth century have artists drawn more often from inner compulsion than out of practical necessity. This exhibition has been selected from the Academy’s own rarely seen collection of twentieth-century drawings and sketchbooks, in the belief that this compulsion can be sensed in drawings of many different kinds. By including a wide range of styles, techniques, and modes of draughtsmanship in works by both Royal Academicians and students alike - everything in fact from doodles to diploma works - the exhibition aims to capture the magic of drawing done for its own sake.
Artists' Laboratory 04: John Maine RA
After Cosmati
Until 18 December 2011
In the Weston Rooms
John Maine RA, Central granite carving for the installation 'After Cosmati' in process 2011. Image courtesy of the Artist. After Cosmati is a new environmental sculpture installation by John Maine RA. Maine is best known for making large outdoor sculptures in stone which form relationships with and are inspired by the surrounding landscape. Maine’s extensive travels have informed his sculpture and he has created monumental installations over the world. Maine’s new work for this exhibition will highlight his current interest in creating a sense of an expansive space within a contained area. Maine’s work utilises simple forms such as rings, columns and cones. Physical weight and texture also characterise his work which encourages contemplation and a celebration of the elements. This piece can be viewed as a departure from his usual work in the landscape and is the first time that he has ‘brought the outside, inside’, on such a grand scale. The motivations behind After Cosmati vary subtly from Maine’s work in the past which has seen him respond to landscape, architectural traditions and found objects. Maine has been closely involved as an advisor with the recent conservation of the Cosmati Pavement in Westminster Abbey. This unique medieval pavement, situated in front of the High Altar, was laid down in 1268 and is a highly decorative mosaic made of coloured marble, and glass. Formed of a group of nine main roundels, the geometric design is inscribed with the words; the spherical globe here shows the archetypal macrocosm; meaning, simply, that it symbolises the universe.
David Hockney RA: A Bigger Picture
21 January - 9 April 2012
In the Main Galleries
In January 2012 the Royal Academy of Arts will showcase the first major exhibition of new landscape works by David Hockney RA. Featuring vivid paintings inspired by the East Yorkshire landscape, these large-scale works have been created especially for the galleries at the Royal Academy of Arts. 'David Hockney RA: A Bigger Picture' will span a 50 year period to demonstrate Hockney’s long exploration and fascination with the depiction of landscape. The exhibition will include a display of his iPad drawings and a series of new films produced using 18 cameras, which will be displayed on multiple screens and which will provide a spellbinding visual journey through the eyes of David Hockney.
Tate Britain, Millbank, London SW1P 4RG
Opening times: 10.00–17.50 Open until 22.00 on the first Friday of each month.
John Martin: Apocalypse
Until 15 January 2012
Visionary, eccentric, populist and epic, John Martin was a controversial but key figure in nineteenth century art. Like his canvases, this wildly dramatic artist with his visions of heaven and hell, was larger than life. Organised in partnership with the Laing gallery, Newcastle, this is the first major exhibition dedicated to Martin's work in over 30 years. It brings together his most famous paintings of apocalyptic destruction and biblical disaster from collections around the world, as well as previously unseen and newly-restored works.
Hugely popular in his time, Martin was derided by the Victorian Art establishment as a 'people's painter', for although he excited mass audiences with his astounding scenes of judgement and damnation, to critics it was distasteful. In a sense ahead of this time, his paintings - full of rugged landscapes and grandiose theatrical spectacle - have an enduring influence on today's cinematic and digital fantasy landscapes. This exhibition presents a spectacular vision, capturing the full drama and impact of John Martin's paintings as they were originally displayed. Just as in the nineteenth century, these epic and often astounding works must be seen to be believed
Barry Flanagan: Early Works 1965-1982
Tate Britain Until 2 January 2012
Barry Flanagan was one of Britain's most original and inventive artists and a key figure in the development of British and international sculpture. He is best known for the large-scale bronze hare sculptures that he began producing in the early 1980s and that can be seen in many galleries and public spaces around the world. The success of these pieces has tended to obscure the equally important and very different work that characterised his early period. Made from materials as varied as cloth, plaster, sand, hessian and rope, these works highlight a concern with material properties and processes - a concern that is at the heart of his practice.
A contemporary of Gilbert & George, Flanagan studied sculpture at St Martin's School of Art from 1964 to 1966. The exhibition takes this period as a starting point and reveals the impact of this early work on his later development towards casting in bronze, which he began in 1979. This is the first major retrospective of Flanagan's work in London since 1983, and by focusing on his early works, shows how this radical and imaginative artist challenged the very nature of sculpture in his time.
Tate Modern, Bankside, London SE1 9TG
Opening times: Sunday – Thursday, 10.00–18.00 Friday and Saturday, 10.00–22.00
Gerhard Richter: Panorama
Until 8 January 2012
Spanning nearly five decades, and coinciding with the artist’s 80th birthday, Gerhard Richter: Panorama is a major retrospective exhibition that groups together significant moments of his remarkable career. Since the 1960s, Gerhard Richter has immersed himself in a rich and varied exploration of painting. Gerhard Richter: Panorama highlights the full extent of the artist's work, which has encompassed a diverse range of techniques and ideas. It includes realist paintings based on photographs, colourful gestural abstractions such as the squeegee paintings, portraits, subtle landscapes and history paintings.
Gerhard Richter was one of the first German artists to reflect on the history of National Socialism, creating paintings of family members who had been members, as well as victims of, the Nazi party. Continuing his historical interest, he produced the 15-part work October 18 1977 1988, a sequence of black and white paintings based on images of the Baader Meinhof group. Richter has continued to respond to significant moments in history throughout his career; the final room of the exhibition includes September 2005, a painting of the terrorist attacks on the World Trade Centre in New York in 2001. Lovers of the epic beauty of Rothko, Twombly and Hodgkin will have much to enjoy, as will those who appreciate striking portraiture or the crystal-clear precision of photorealism
The Unilever Series: Tacita Dean
Until March 2012
Tacita Dean will be the next artist to create a commission for Tate Modern's Turbine Hall as part of the Unilever Series. Tacita Dean is a British artist now based in Berlin, best known for her use of film. Dean’s films act as portraits or depictions rather than conventional cinematic storytelling, capturing fleeting natural light or subtle shifts in movement. Her static camera positions and long takes allow events to unfold unhurriedly. Other works have attempted to reconstruct events from memory, such as an infamous thwarted attempt to circumnavigate the world. Dean’s interest in the cinematic also extends to her work in other media. The Russian Ending 2001 borrows its title from the early Danish cinema tradition of making two alternate endings for a film: one happy for the American market and one tragic for the Russian market. In this work, Dean annotated postcards of catastrophes with director's notes. Many of Dean’s works show the ways in which architecture can be transformed by the camera's lens. Craneway Event 2009 follows the choreographer Merce Cunningham (1919–2009) and his dance company rehearsing in a former Ford assembly plant, built of glass and steel and overlooking the San Francisco Bay. Dean’s film allows the ever-changing light of this environment to fall in rhythm with the dancers’ movements.
Photography: New Documentary Forms
Until 31 March 2012
Mitch Epstein
Biloxi, Mississippi 2005
© Mitch Epstein. Courtesy of Sikkema Jenkins & Co., New York
Free Entry
This new five-room display explores the ways in which five contemporary artists have used the camera to explore, extend and question the power of photography as a documentary medium. Consisting entirely of new acquisitions to Tate’s collection, it includes recent work by Luc Delahaye, Mitch Epstein, Guy Tillim and Akram Zaatari, as well as two important earlier works by Boris Mikhailov. Between them they cover subjects as diverse as the conflicts in Iraq and Afghanistan, studio photography in Beirut, elections in the Congo, everyday life in pre- and post-Soviet Ukraine, and power production in the United States. Each room concerns one discrete project, in which the artist calls into question the relationship between the documentary value of photography and the museum as its proper context.
ARTIST ROOMS: Diane Arbus
Until 31 March 2012
Free Entry
Tate Modern Level 3
Diane Arbus (1923–71) is acknowledged as one of the great figures of American photography who fixed remarkable images of contemporary life. Her sympathy for her subjects exposed the variety and complexity of the human condition. This three-room display is drawn from ARTIST ROOMS. ARTIST ROOMS On Tour is an inspired partnership with the Art Fund – the fundraising charity for works of art, making available the ARTIST ROOMS collection of international contemporary art to galleries throughout the UK. ARTIST ROOMS is jointly owned by Tate and National Galleries of Scotland, and was established through the d’Offay Donation in 2008, with the assistance of the National Heritage Memorial Fund, the Art Fund and the Scottish and British Governments.
Taryn Simon
Until 2 January 2012
Free Entry
Tate Modern premieres an important new body of work by the American artist Taryn Simon. A Living Man Declared Dead and Other Chapters was produced over a four-year period (2008-11), during which Simon travelled around the world researching and recording bloodlines and their related stories. In each of the eighteen ‘chapters’ that make up the work, the external forces of territory, power, circumstance or religion collide with the internal forces of psychological and physical inheritance. The subjects documented by Simon include feuding families in Brazil, victims of genocide in Bosnia, the body double of Saddam Hussein’s son Uday, and the living dead in India. Her collection is at once cohesive and arbitrary, mapping the relationships among chance, blood, and other components of fate.
National Portrait Gallery, St Martin's Place, London WC2H 0HE
Opening times: 10:00-18:00 daily. Open until 21:00 Thursday and Friday.
The First Actresses: Nell Gwyn to Sarah Siddons
Until 8 January 2012
Wolfson Gallery
The First Actresses will explore the vibrant and sometimes controversial relationship between art, gender and the theatre in eighteenth-century England. Combining much-loved masterpieces with newly-discovered works, the exhibition will look at the ways in which actresses used portraiture to enhance their reputations, deflect scandal and increase their popularity and professional status.
The exhibition features portraits by artists such as Joshua Reynolds, Thomas Gainsborough, John Hoppner and James Gillray, with highlights including Reynolds’s famous portrait of Sarah Siddons as the Tragic Muse, Hogarth’s The Beggar’s Opera and Gainsborough’s portrait of Elizabeth Linley. Visitors will discover the fascinating stories of actresses including Nell Gwyn, Kitty Clive, Hester Booth, Lavinia Fenton, Sarah Siddons and Dorothy Jordan.
Starting with the emergence of the actress’s profession in the late seventeenth century, The First Actresses will show how women performers were key figures in celebrity culture. Fuelled by gossipy theatre and art reviews, satirical prints and the growing taste for biography, eighteenth-century society engaged in heated debate about the moral and sexual decorum of women on stage and revelled in the traditional association between actress and prostitute. The exhibition will also look at the resonances with modern celebrity culture and the enduring notion of the actress as fashion icon.
The National Gallery - Trafalgar Square, London
Opening times: Daily 10am–6pm, Fridays 10am–9pm.
Leonardo da Vinci: Painter at the Court of Milan
Until – 5 February 2012
Sainsbury Wing
Admission charge
Open daily 10am–6pm (last admission 5pm)
Late nights including Fridays and Saturdays until 10pm (last admission 9pm)
Sundays until 7pm (last admission 6pm)
Leonardo da Vinci: Painter at the Court of Milan’ is the most complete display of Leonardo’s rare surviving paintings ever held. This unprecedented exhibition – the first of its kind anywhere in the world – brings together sensational international loans never before seen in the UK.. While numerous exhibitions have looked at Leonardo da Vinci as an inventor, scientist or draughtsman, this is the first to be dedicated to his aims and techniques as a painter. Inspired by the recently restored National Gallery painting, The Virgin of the Rocks, this exhibition focuses on Leonardo as an artist. In particular it concentrates on the work he produced as court painter to Duke Lodovico Sforza in Milan in the late 1480s and 1490s. As a painter, Leonardo aimed to convince viewers of the reality of what they were seeing while still aspiring to create ideals of beauty – particularly in his exquisite portraits – and, in his religious works, to convey a sense of awe-inspiring mystery.
The Victoria & Albert Museum, Cromwell Road, London SW7 2RL
Opening hours: Daily 10.00 to 17.45 and 10.00 to 22.00 Fridays
Postmodernism
Until – Sun 15 January 2012
Exhibition Space One
This is the first in-depth survey of art, design and architecture of the 1970s and 1980s, examining one of the most controversial phenomena in recent art and design history: postmodernism. It shows how postmodernism evolved from a provocative architectural movement in the early 1970s and rapidly went on to influence all areas of popular culture including design, art, music, film, performance and fashion. By the 1980s consumerism and excess were the trademarks of the postmodern. The exhibition explores the radical ideas that challenged Modernism; overthrowing purity and simplicity in favour of exuberant colour, bold patterns, artificial looking surfaces, historical quotation, parody and wit and above all, a newfound freedom in design. See over 250 objects across all areas of art and design and revisit a time when style was not just a ‘look’ but became an attitude.
The British Museum, Great Russell Street, London WC1B 3DG
Open daily 10.00–17.30 Open late Thursday and Friday until 20.30
Modern Syrian Art at the British Museum
Until 9 January 2012
Free Room 34
This display examines the works of modern Syrian artists in the British Museum’s collection. It features a range of artists including Fateh Moudarres (1922–1999), one of the most important artists in Syria during the second half of the 20th century. There is also a rare triptych by popular poet Adonis (Ahmad Ali Said, b. 1930), as well as a number of artists’ books inspired by his poetry, works on paper by Marwan (b. 1934) and Youssef Abdelké (b. 1951), a selection of mixed media works by Issam Kourbaj (b. 1963) and a diptych by Sabhan Adam (b. 1972).
Landscape, heroes and folktales
German Romantic prints and drawings
Until1 April 2012
Free Room 90
Open late Fridays
Discover over 100 fabulous 18th–19th-century prints and drawings from this extraordinarily creative period of German art history. German Romanticism was a philosophical and artistic movement in the late 18th and
19th centuries which was highly influential across the whole of Europe. Key figures included composers Beethoven, Schubert and Brahms, philosophers Hegel and Schlegel, and literary giants Goethe and Schiller. Artists
in 19th-century Germany were seeking a cohesive national identity that had not existed before – through works often inspired by the German landscape, mythology and Germany’s ancient past.
The prints and drawings on display capture beautiful, poetic scenes, exploring landscapes and wildlife to heroes and folktales. Romantic artists took inspiration from earlier artists, including Albrecht Dürer and Raphael. The works show high standards of draughtsmanship, depict an amazing variety of subject matter and use a range of sophisticated print techniques, including the recently invented technique of lithography. Artists featured in the exhibition include Caspar David Friedrich, Philipp Otto Runge, Wilhelm Tischbein, Carl Wilhelm Kolbe, Julius Schnorr von Carolsfeld, Friedrich Overbeck, Peter Cornelius, Karl-Friedrich Schinkel and Johann Christian Reinhart.
The Hayward Gallery, Southbank Centre, Belvedere Road, London SE1 8XX
Pipilotti Rist
Until 8 January 2012
Swiss artist Pipilotti Rist is one of the world’s leading contemporary artists, acclaimed for her innovative video installations. This exhibition, her first survey show in the UK, presents single channel videos, sculptures, photographs, wallpapers and video installations spanning her career from the 1980s to today. Highly accomplished technically and employing dazzling colour, Rist’s practice fuses sensual images, music and text to create mesmerising installations. Rist creates a total sensory experience for her audience by showing her works within architectural installations conceived specially for particular spaces.
George Condo: Mental States
Until 8 January 2012
This is the first major retrospective of the American artist George Condo. Since his emergence in New York’s East Village in the early 1980s, George Condo has developed a provocative body of work that, for all its outlandish humour and outrageousness, is deeply engaged with the memory of European and American traditions of painting. Focusing on his ‘imaginary portraits’, which conjure varied mental states with a mixture of comic absurdity and the heart-rending pathos, and incorporating sculpture as well painting, the exhibition offers a comprehensive survey of three decades of his art.
The Serpentine Gallery, Kensington Gardens, London W2 3XA
Saatchi Gallery, Duke of York's HQ, King's Road, London SW3 4SQ
Opening hours: 10am-6pm, 7 days a week
Please note that the gallery sometimes closes for private events - best to check website before visiting.
Whitechapel Gallery
Wilhelm Sasnal
Until 1 January 2012, Galleries 1, 8 and 9
The paintings of Wilhelm Sasnal chronicle the complex experience of life today. Mixing art historical references with images taken from the internet, their subject matter knows no limits: from icons of popular culture such as Roy Orbison to much admired paintings of the past such as Georges Seurat’s Bathers at Asnières (1884), from the lonesome cowboys in a Steven Spielberg film, to the shocking photographs of Mexican photographer Enrique Metinides. Art Spiegelman’s comic-style narration of the Holocaust serves as pretext for a series of stark black-and-white paintings, while the news image of a Japanese girl rescued from the tsunami becomes a jewel-like colour composition. No conventional boundaries are valid: history meets the present, public mixes with private, Romanticism fuses with Realism. As Sasnal himself states: ‘There are no rules.’ The only rule is that ‘you must not cheat’.
In a visual culture flooded by photographic images, Sasnal’s work attests to the continuous spellbinding power of painting. This exhibition surveys his work of the past ten years. It opens with recent works referencing world events and the artist’s extensive travels before returning to Pop-inspired work from the 1990s and reflections on the troubled history of his native Poland. The cross-over between film, video, photography and painting which forms the focus of the third part of the exhibition is complemented by a selection of Sasnal’s acclaimed shorts and feature films screened as part of the accompanying events programme. Admission free
Rothko in Britain
Until 26 February 2012
Gallery 4
In 1961 the Whitechapel Gallery held the first solo show of American artist Mark Rothko in Britain. This landmark exhibition is brought vividly to life through the Gallery’s archives of original photographs, letters from the artist and new recordings of visitors’ memories presented alongside Rothko’s painting Light Red Over Black (1957). Mark Rothko (1903–1970) was part of a generation of American painters whose style became known as Abstract Expressionism. From the 1950s he used muted colours to make luminous rectangles seemingly hover on the surface of the canvas. While realising his Whitechapel Gallery exhibition he outlined precise instructions of how he wanted his work to be displayed, such as the lighting levels and hanging height of paintings. All this created an immersive experience for the viewer. Reviewing the show in The New Statesman art critic David Sylvester wrote, ‘Faced with Rothko’s paintings at Whitechapel, one feels oneself unbearably hemmed-in by forces buffeting one’s every nerve’. The display sheds new light on Rothko’s connection with Britain, highlighting the strong relationships he formed during his trip in the summer of 1959 and an era of dialogue between British and American artists.. Admission free
The Bloomberg Commission: Josiah McElheny: The Past Was A Mirage I Had Left Far Behind
Until 20 July 2012
Gallery 2
Sculptor and writer Josiah McElheny transforms the Gallery into a hall of mirrors.
Seven large-scale, mirrored sculptures are arranged as multiple reflective screens for displaying abstract films, selected by a group of invited collaborators and programmed to change throughout the year. The sculptures reflect and refract the projected film selection, saturating the whole gallery and visitors in images and light. Refracted, distorted and multiplied, the moving images explore how abstraction is used to depict an image of visual enlightenment. The Bloomberg Commission is displayed in Gallery 2, a dedicated space for site-specific works of art that was previously the reading room of the former Whitechapel Library. Inspired by the history of the Library as a creative haven for early modernist thinkers such as Isaac Rosenberg and Mark Gertler, McElheny’s new work explores the history of abstraction in film and video, reinterpreting them by presenting fractured, constantly morphing versions. Josiah McElheny (b. 1966) lives and works in New York. His work combines a conceptually rigorous examination of history with an ability to create deeply engaging sensory experiences. Admission free
Government Art Collection: Selected by Cornelia Parker: Richard Of York Gave Battle In Vain
Until 4 December 2011
Gallery 7
This display of over 70 works, hung from floor to ceiling in a kaleidoscope of colours, offers an original and personal selection by artist Cornelia Parker on the Collection’s breadth and function. Titled after a well-known phrase used to remember the colours of the rainbow, the display includes works from across the colour spectrum. Parker has selected works whose dominant tones range from the luscious red draperies in Daniel Mytens’ full length portrait of Lady Anne Montagu, 1626, to the bright yellow of Martin Creed’s neon sculpture THINGS, 2000, from David Batchelor’s vivid shelf-like No. 5 (Green), 1999, to the royal blue background in Andy Warhol’s portrait of Queen Elizabeth II, 1985. The display also includes achromatic works such as Grayson Perry’s humorous black and white etching Print for a Politician, 2005. The Government Art Collection has promoted British art and artists for over a hundred years. Usually on display in more than 400 locations all over the globe, it includes paintings, sculptures and other works of art from the 16th century to the present day. This display is part of the Whitechapel Gallery’s ongoing programme opening up important public and private collections for everyone. Admission free
Work in Progress: Reclaim the Mural
Until 4 December 2011
Gallery 5 & 6
Artist collective The Work in Progress (Benedict Drew, Emma Hart, Dai Jenkins, Dean Kenning and Corinna Till) present Reclaim the Mural as part of the Whitechapel Gallery’s commissioning programme of new art beyond the gallery. Reclaim the Mural aims to understand mural making in London, the reasons why it has waned in recent decades, and its continuing potential as a critical form of art. The project sets out to produce a new mural, exploring the processes of finding a wall, consulting with the public and collaborating on a design. This approach confronts the difficulties of making an image collectively and the way subversive images can be tamed by inclusive selection processes. Central to the group’s concerns is the issue of housing. How can the mural as a public surface address this politically urgent area of contemporary life? The exhibition includes collages charting visits to London murals and conversations with muralists, housing association managers and people encountered at the market stall which became project HQ over the summer. Admission free
Cristobal Leon, Niles Atallah & Joaquin Cocina, Marthe Thorshaug, Rachael Rakena, Kelly Nipper
Until 15 January 2012
Zilkha Auditorium
Artists from three continents explore the surreal, myth and ritual in video. León, Atallah and Cociña’s animations are a surreal tale of falling in love, taking us from peace to destruction and back again. Thorshaug’s film is a modern take on Norse legend’s death riders, as a group of girls drive themselves to extremes to conquer their fear and test their horses’ courage. Rakena’s work shows a lone man feasting on a raw fish head. Seafood is fundamental in Maori culture, and feeds him physically and mentally, as he consumes the sea’s myths. Nipper’s film, based on choreographer Mary Wigman’s Witch Dance (1914), sees a ‘witch’ dancer enacting rituals resembling weather patterns, to evoke superstitions that sorceresses control the weather. The films are part of Art in the Auditorium, showcasing international artists working with film, video and animation. León, Atallah and Cociña are selected by Fundación Proa, Buenos Aires, Argentina; Thorshaug by Henie-Onstad Kunstsenter, Oslo, Norway; Rakena by The City Gallery Wellington, New Zealand; Nipper by Ballroom Marfa, Texas.
The Courtauld Gallery
THE SPANISH LINE:
DRAWINGS FROM RIBERA TO PICASSO
Until 15 January 2012
This exhibition explores the rich, intriguing and varied territory of Spanish drawings, a field that remains relatively little known. The Courtauld Gallery holds one of the most important collections of Spanish drawings outside Spain, totalling approximately 100 works ranging from the 16th to the 20th centuries. A selection of some 40 of the finest and most representative drawings has been chosen for the exhibition. They include examples by many of Spain’s greatest artists, such as Ribera, Murillo, Goya and Picasso. The exhibition also invites visitors to explore lesser-known treasures from the Golden Age of Spanish art created by Francisco Pacheco, Antonio Garcia Reinoso, Vicente Carducho, Antonio del Castillo and others. Many of these works have never previously been exhibited and they are presented here in the light of important new research.
The Spanish Line is the first substantial exhibition on the tradition of Spanish draughtsmanship to take place in London and reflects the growing scholarly interest in the subject. The exhibition marks the completion of a four-year research project and the publication of a complete scholarly catalogue of The Courtauld Gallery’s collection of Spanish drawings. In many public collections ‘Spanish school’ was often used as a convenient label for anonymous drawings, frequently from other countries and of lesser quality. Significant discoveries are still regularly made and The Courtauld’s exhibition aims to stimulate further discussion and research in this exciting field of study.
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